Clayton Keyes
At CCACA I attended
Clayton Keyes lecture. I met him at an opening in Reno last month and was
immediately intrigued by him. I knew then that it was a must see talk. His
lecture was probably the best I have been to in the last five years of NCECA’s
and CCACA’s. Clayton explained that after undergrad he floated around for a few
years not really making work. However his father passing and his nephew’s birth
put him in gear. This is when the thoughts of loss and legacy became prominent
in his work.
Keyes explains in his lecture that growing
up gay and wanting to explore sexuality that he felt needed to be hidden from
the world. This pushed him into studying and drawing the figure secretly. Keyes
work evokes feelings of sexual suppression as well as being unapologetically
forward.
I
think that his building technique is very interesting and somewhat untrue to
the clay world. Keyes hand builds a cylinder, and then pushes the anatomy from
the inside out. He builds each part separately and attaches them when leather
hard. For larger figures legs and arms are attached post fire with epoxy. Every
piece is bisque fired then painted with a base of white house paint. Then the
piece is hit with a sand blaster to open up the pores. Keyes then paints with
layers of oil paints, some are even dawn on. In the lecture it sounded like he
used whatever was around the studio house paint, oil pastels, oil paint,
pencil, pen, ect.
"Limerence" Amanda Dabel Cone ^04 stoneware, wood, spray foam, paint 2013 |
"Defiance" Amanda Dabel Cone ^04 stoneware, sand 2013 |
"Question" Amanda Dabel Cone ^04 stoneware 2013 |
"Fallen Angel" Amber Aguire Amber's uses the bunny in a different way. Most of her work is on the darker side. The forms are flawless and the unique surface detail really makes her stand out. |
"The Swing" Amber Aguire |
Arthur Gonalez He is the master of emotion and the human figure. There is so much going on in each piece he makes it always sucks the viewer in. |
"Opposite" Erika Sanada The attention to detail is amazing, she shows a demand for the material. The wrinkles are realistic and make the piece look alive. |
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